Entertainment Articles

Article Comments Author
Rectangle_tiny

Entertainment

Knives in Hens

Laurence Green reviews David Harrower’s earthy, raw 1995 play Knives in Hens revived new production, directed by Yaël Farber.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

The Limehouse Golem

Laurence Green reviews The Limehouse Golem and finds a penny dreadful-style movie left him feeling it was pretty dreadful

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Apologia

Apologia is a dinner party from hell (at Trafalgar Studios) but rich and rewarding drama, writes Laurence Green.

Read more
0 Micro Gareth Hargreaves
Rectangle_tiny

Entertainment

Girl from the North Country

Laurence Green reviews Conor McPherson's new production, The Girl from the North Country, which plays homage to the talent of singer/songwriter, Bob Dylan.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

I Loved Lucy

Laurence Green reviews Lee Tannen's personal Portrait of the fantastic, Lucille Ball, directed by Anthony Biggs.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

A Tale of Two Cities

Laurence Green reviews Timothy Sheader’s adaptation of Dickens’s novel, A Tale of Two Cities.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Dunkirk

Christopher Nolan's wartime blockbuster Dunkirk is a beautifully observed triumph.

Read more
1 Micro Gareth Hargreaves
Rectangle_tiny

Entertainment

The Mentor

Laurence Green reviews Daniel Kehlmann play The Mentor that explores the themes of art, politics and reputation.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Ink

Laurence Green reviews James Graham's new insightful and entertaining new play, Ink.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Common

Laurence Green reviews DC Moore’s Industrial Revolution drama, Common.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Destination Unknown

“A masterful documentary that can’t fail to move all those see it” Laurence Green reviews Claire Ferguson’s documentary, Destination Unknow.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Barber Shop Chronicles

Laurence Green reviews Inua Ellams’s rich and insightful production, Barber Shop Chronicles.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Killology

"A skillful balance between love and hate" Laurence Green reviews Gary Owen’s dark drama, killology.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Life of Galileo

Laurence Green reviews Joe Wright's revival of Bertolt Brecht's play, Life of Galileo which explores the battle between scientific fact and belief.

Read more
0 Micro 50connect editorial
Rectangle_tiny

Entertainment

Salome

A feast for the eyes but Salomé lacks the dramatic impetus to fully engage the audience, writes Laurence Green.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

The Resistable Rise of Arturo Ui

The savage bleakness of Brecht's vision doesn't always come across, but this often uproariously funny revival ends up sending a chill down the spine, writes Laurence Green.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

City of Glass

Laurence Green reviews Leo Warner’s edgy and original production, City and Glass.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

The Goat or Who is Sylvia?

Lawrence Green reviews a handsome new production of Edward Albee's provocative tragi-comedy The Goat or Who is Sylvia at Theatre Royal Haymarket.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

The Philanthropist

Laurence Green reviews Simon Callow’s revival and retitled play, The Philanthropist.

Read more
0 Micro 50connect editorial
Rectangle_tiny

Entertainment

Guards at the Taj

Touching on dark themes and questioning the human price paid at the hand of the mighty, Laurence Green reviews Rajiv Joseph’s play, Guards at the Taj.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

42nd Street

Laurence Green reviews the tap dancing, musical triumph that is Mark Bramble’s production of 42nd Street.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Stepping Out

Laurence Green finds Richard Harris's Stepping Out to be an affectionate, heart-warming comedy that leaves you feeling that life isn’t so bad after all.

Read more
0 Micro Olderiswiser Editorial
Rectangle_tiny

Entertainment

The Miser

Laurence Green enjoys a new modern slant on Moliere's classic satire The Miser at the Garrick Theatre.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

An American in Paris

Laurence Green is wowed by a five-star reworking of Gershwin's classic An American in Paris at the Dominion Theatre.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Rosencrantz and Guildenstern are Dead

Daniel Radcliffe and Joshua McGuire play the bewildered protagonists in Tom Stoppard's existential labyrinth Rosencrantz and Guildenstern are Dead. Laurence Green reviews.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Limehouse

Laurence Green reviews Steve Waters' timely and cautionary new play, Limehouse.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Twelfth Night

With an outstanding performance from Tasmin Greig, Lawrence Green reviews Simon Godwin’s new production of Twelfth Night.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Certain Women

Laurence Green reviews Kelly Reichardt's beautifully shot rich and rewarding movie, Certain Women.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Letters to Windsor House

Laurence Green catches Sh!t Theatre's brave and bruising Letters to Windsor House, which manages to be both clever and witty and could not be more topical.

Read more
0 Micro Laurence Green
Rectangle_tiny

Entertainment

Death Takes a Holiday

Laurence Green reviews Thom Southerland's captivating musical, Death Takes a Holiday.

Read more
0 Micro Laurence Green


Do NOT follow this link or you will be banned!